Differences in Similarities
Love Sick and Heroin-Are you addicted?
Keywords:
“y”novels, Yaoi, Boy’s Love (BL), Danmei, patriarchyAbstract
This article is to study comparatively the boys’ love narratives in Thai and Chinese yaoi novels – namely Lovesick and Heroin – Are you addicted?. It focuses on the development, nature, acceptance and tendency of such relationships in each different social and political context. Applying the critical discourse analysis method, the study found that in both novels all the male protagonists are good-looking, capable and normal men who do not have the same sex affection. Rather, they are quite prejudiced against gay’s love. However, they unintentionally turned to develop such relationships over time. It became the romantic love, holding love for love’s sake. The main couple in Thai context tends to get more acceptance and be happier than the other couple in Chinese context. Yet, the narrative of the main couple in the Chinese yaoi novel implies the criticism of the state’s authority, the resistance and challenge against patriarchal ideology of Chinese society. Besides, the romantic relationship of both couples in the two novels are also depicted as the ideal romantic relationship of the individuals in the new generation, when the neoliberalism has been sweeping all over the world.
References
Bao, Hongwei. (2020). Queer China: Lesbian and Gay Literature and Visual Culture under Postsocialism. London &New York: Routledge.
Campbell, Charlie. (2016). Chinese censors have taken a popular gay drama offline and viewers aren’t happy. Time.com: February 25. Time.com/ 4236864/china-gay-drama-homosexuality/
Fairclough, Norman. (1995). Critical discourse analysis: the critical study of language. New York: Longman Publishing.
Jiang, C.,& Hao, T. (2020). Girl power in boy love: Yaoi, online female counterculture, and digital feminism in China. Feminist Media Studies 2020:1-17
https://doi.org/10.1080/14680777.2020.1803942
Madill, Anna. (2020). The Yaoi/Boys’ Love/Danmei Audience. In the International Encyclopedia of Gender, Media, and Communication, Karen Ross et al, eds.,1-5. New York: John Wley & Sons. Doi:10.1002/9781119429128.iegmc051
Rofel, Lisa. (2007). Desiring China: Experiments in Neoliberalism, Sexuality, and Public Culture. Durham and London: Duke University Press.
Zhang, Chunyu. (2016). Loving Boys Twice as Much: Chinese Women’s Paradoxical Fandom of “Boys’ Love” Fiction. Women’s Studies in Communication 39(3): 249-267. http://dx,dou.org/10.1080/07491409.2016.1190806
Zhang, Yu. (2017). How the Ideology of “Romantic Love” Affects Chinese Women’s Understanding of Intimacy. Sociology Study 7(5):277-284. Doi.10.17265/2159-5526/2017.05.005
Zhao, Jamie J. (2020). It has never been “normal”: queer pop in post-2000 China. Feminist Studies 20(4):463-478. https://doi.org/10.1080/14680777.2020.1754626
Jaray Singhakowin จเร สิงหโกวินท์. (2560). Thod pha khai rang nai lakorn sao wai ถอดผ้าขายร่างในละครสาววาย [Media Pornofication of Male Bodies in Thai Boys love TV Series]. In Mue rang krai pen phet: Amnart Seriniyom mai khong phetwithi nai sangkhom thai เมื่อร่างกลายเป็นเพศ:อำนาจเสรีนิยมใหม่ของเพศวิถีในสังคมไทย [The Sexualized Body:Neoliberal Power, new Media Trends and Transnational East Asian Influences on Sexuality in Thailand], ed. Narupon Duangwiset, 150-186. Bangkok: Princess Maha Chakri Sirindhorn Anthropology Centre.
Krittapol Sutheepattarakool กฤตพล สุธีภัทรกุล. (2563). “Kan prakobsang tua lakorn chai rak chai nai series y” การประกอบสร้างตัวละครชายรักชายในซีรีส์วาย [Construction of Gay Characters in Thai Boys Love Series]. Master’s thesis, National Institute of Development Administration.
Natthanai Prasannam นัทธนัย ประสานนาม. (2564). Nawaniyai yaoi khong thai:kanmuang watthanatham khong phet stana lae phet withi nai romance prachaniyom นวนิยายยาโออิของไทย: การเมืองวัฒนธรรมของเพศสถานะและเพศวิถีในโรมานซ์ประชานิยม [Thai Yaoi Novels: The Cultural Politics of Gender and Sexuality in Popular Romance]. Bangkok: Research and Innovation Unit, Faculty of Humanities, Kasetsart University.
Narupon Duangwiset นฤพนธ์ ด้วงวิเศษ. (2560). Chainum pen watthu thang phet lae karn prab kabuan phetwithi nai lakorn chai rak chai ชายหนุ่มเป็นวัตถุทางเพศและการปรับขบวนเพศวิถีในละครชายรักชาย [The Objectification of Desirable Young Men and Deployment of Sexuality in Boys Love Series on Thai Television]. In Mue rang krai pen phet: Amnart Seriniyom mai khong phetwithi nai sangkhom thai เมื่อร่างกลายเป็นเพศ:อำนาจเสรีนิยมใหม่ของเพศวิถีในสังคมไทย [The Sexualized Body: Neoliberal Power, new Media Trends and Transnational East Asian Influences on Sexuality in Thailand], ed. Narupon Duangwiset, 188-223. Bangkok: Princess Maha Chakri Sirindhorn Anthropology Centre.
Narupon Duangwiset นฤพนธ์ ด้วงวิเศษ. (2560). Phet nai khao wongkot: naewkid tritsadee phet nai
watthanatham boripok เพศในเขาวงกต: แนวคิดทฤษฎีเพศในวัฒนธรรมบริโภค [Sex in the maze: Concepts on sexuality theories in consumerism culture]. Bangkok: Princess Maha Chakri Sirindhorn Anthropology Centre.
Downloads
Published
How to Cite
Issue
Section
Categories
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Articles in this journal are copyrighted by the x may be read and used for academic purposes, such as teaching, research, or citation, with proper credit given to the author and the journal.use or modification of the articles is prohibited without permission.
statements expressed in the articles are solely the opinions of the authors.
authors are fully responsible for the content and accuracy of their articles.
other reuse or republication requires permission from the journal."
