Might and Magnitude: An Application of Aesthetic Philosophy to a Creative Art-Work

Authors

  • Siriya Jitpimolmard Student, Ph.D Program, Faculty of Fine and Applied Arts, Chulalongkorn University
  • Kamol Phaosavasdi Faculty of Fine and Applied Arts, Chulalongkorn University
  • Kasem Phenpinant Faculty of Arts, Chilalongkorn University

Keywords:

Aesthetic Philosophy, Might and Magnitude, The Sublime

Abstract

The Might and Magnitude Video Installation project is an attempt to apply the concept of the sublime in Kant to create an aesthetic experience via artwork. The latter illustrates an artificial storm with lightning and thunder as the subject through a 14 x 5 meters cycloramic screen with a video projection technique. The video continues in a slow zoom into a thunderstorm in an infinite loop, along with thunder sound effects and ambient sound. The project was inspired by a sublime experience when confronting with thunderstorm, thunderclap and thunder flash on top of a skyscraper. Such an experience unveiled a boundless trait of nature and its magnitude, while being veiled by a mighty power of nature, an exhausted feeling of terror as well as an anxiety of annihilation. This sublime occasion entails both a virtual creativity and an aesthetic experience, whereas a feeling of pleasure is apprehended in the work of art, and hence, in the free play of imagination. Throughout the article, the objective is to promptly synthesizes the process as following: clarifying the concept of the sublime; reviewing the procedures of the sublime and the related contemporary art-works; analyzing the sublime experience; applying the procedure as the creation of Might and Magnitude Video Installation.

The research result shows a successful application of the aesthetic philosophy to creative artwork. It was able to accomplish clarification of the subjective experience with the framework of Immanuel Kant’s Dynamical and Mathematical Sublime system. This led to the systematic analytical sublime experience and created a concept for a creative artwork which aroused the imagination and the subjective feeling in the viewer.

Author Biographies

Kamol Phaosavasdi , Faculty of Fine and Applied Arts, Chulalongkorn University

Professor

Kasem Phenpinant, Faculty of Arts, Chilalongkorn University

Assistant Professor

References

Cárdenas, K. M. P. (2020). Re-Creating the Sublime Experience: An Analysis of Contemporary Art Using

Postmodern Ideas of the Sublime. [Unpublished master’s thesis]. Ferris State University.

Derrida, J. (2017). The Truth In Painting. (trans.) Geoffrey Bennington. Chicago: The University Of Chicago Press.

Eliasson, O. (2003). The Weather Project. (ed.) S. May. London: Tate Publishing.

Kant, I. (1987). Critique of Judgment. (trans.) W. S. Pluhar. Indianapolis: Hackett Publishing.

Makkreel, R. A. (1990). Imagination and Interpretation in Kant: The Hermeneutical Import of theCcritique of

Judgment. Chicago: The University of Chicago Press.

Morley, S. (Ed.). (2010). The Sublime. Cambridge, MA.: The MIT Press.

The Menil Collection. (2022, October 29). From the Archives: The Permanent Installations of Walter De Maria [VDO]. YouTube. https://www.youtube.com/watch?v=2cpubs1GI54&list=PLaS1nx1jHnWg9W_c-gkw_bN8PMbtSxBkk&index=1

Weiskel, T. (1987). The Romantic Sublime: Studies in the Structure and Psychology of Transcendence. Baltimore: The Johns Hopkins University Press.

Published

2024-08-30

How to Cite

Jitpimolmard, S., Phaosavasdi , K. ., & Phenpinant, K. . (2024). Might and Magnitude: An Application of Aesthetic Philosophy to a Creative Art-Work. Ramkhamhaeng Journal of Public Administration, 7(2), 196–230. retrieved from https://so16.tci-thaijo.org/index.php/RJPA/article/view/801